thanks to Frank that made me a beautiful gift
If you're lucky one day someone will say: Go see Antonio Rezza. The first time I heard of was Antonio Rezza was last year, when he was an entire article dedicated to TrovaRoma. Ornament emblazoned with a picture of his face slipped into a model of Rezza elastic canvas, the image I put on a lot of curiosity. Since then I have always cherished the desire to go see the man's curious that so m'aveva aroused interest. After a year I could read something about him and, above all, to see short films on the network that reveal much of the character. Inevitably this pulpit of curiosity hath been changed into a frenzy of wanting to watch his show live. Amazing how people that do not live stage comedy and tonnage of that word of mouth. Rarely I read the major newspapers of Rezza and, even now approaching the last year and newspapers are full of proposals for 31 theater, Rezza is forgotten (or deliberately set aside).
Yesterday I finally got to satisfy my curiosity. I was at the Teatro Vessel, part of the fierce public 7 14 21 28 fourth anthology show Rezza-Mastrella. In the audience, composed mostly of young people (and is the first time I see a clear majority of young people), we also see Max Tortora. The show begins, a man in swimsuit and bare-chested swinging on a swing, does not speak, he only faces: it is enough to start the first laughter in the audience, that is enough to understand the expressive potential of Antonio Rezza. The rest is a burning flow of jokes, situations, changes, changes of expression and tone. It is a real whirlwind of energy that also takes people and the cooler they laid bare their attitudes held. Elusive, it moves in its habitat (the set of faithful Flavia Mastrella) funalbolo like a maniac and you feel that you bring up the next morning without realizing it you can. One wonders where it ends and where the showman early human folly, but he is a man of the stage and the stage, especially that of Lieutenant, he knows every millimeter. Sa aggrazziarsi favor with the public, knows when to be silent laughter and tear with a simple facial expression, knows how to improvise situations it models the reactions of the public. And woe to be religiously sensitive or touchy if you do not want to end up being the subject of his favorite jokes. A phone rings, our tightrope walker is silent, the phone stops ringing: - I was waiting for 'it off! Roar of applause. A one-man show corrosive, which alternates with sensitive issues such as insecurity, sex scandals or disatro Italian and his policy, a fitting and hilarious skits with puns unpredictable. You begin to understand why not talk about it: Do not save anyone or anything. Yet the irony is not a personal basis we are accustomed to, Rezza takes everything and makes the object of his polemic, without naming names, without indicating guilty because do not exist and Italy is a continuous flow in which visitors today continues the breakdown started yesterday. It escapes even a blasphemy he is so, provocateur. Maybe you can be impressed, you can cry blasphemy, but another is not, the theater, that the representation of life (and of blasphemers daily) and Rezza his authoritative spokesman.
and appreciation to the "deer" Ivan Bellavista who took ecstasy rezziana almost forgot.
Yesterday I finally got to satisfy my curiosity. I was at the Teatro Vessel, part of the fierce public 7 14 21 28 fourth anthology show Rezza-Mastrella. In the audience, composed mostly of young people (and is the first time I see a clear majority of young people), we also see Max Tortora. The show begins, a man in swimsuit and bare-chested swinging on a swing, does not speak, he only faces: it is enough to start the first laughter in the audience, that is enough to understand the expressive potential of Antonio Rezza. The rest is a burning flow of jokes, situations, changes, changes of expression and tone. It is a real whirlwind of energy that also takes people and the cooler they laid bare their attitudes held. Elusive, it moves in its habitat (the set of faithful Flavia Mastrella) funalbolo like a maniac and you feel that you bring up the next morning without realizing it you can. One wonders where it ends and where the showman early human folly, but he is a man of the stage and the stage, especially that of Lieutenant, he knows every millimeter. Sa aggrazziarsi favor with the public, knows when to be silent laughter and tear with a simple facial expression, knows how to improvise situations it models the reactions of the public. And woe to be religiously sensitive or touchy if you do not want to end up being the subject of his favorite jokes. A phone rings, our tightrope walker is silent, the phone stops ringing: - I was waiting for 'it off! Roar of applause. A one-man show corrosive, which alternates with sensitive issues such as insecurity, sex scandals or disatro Italian and his policy, a fitting and hilarious skits with puns unpredictable. You begin to understand why not talk about it: Do not save anyone or anything. Yet the irony is not a personal basis we are accustomed to, Rezza takes everything and makes the object of his polemic, without naming names, without indicating guilty because do not exist and Italy is a continuous flow in which visitors today continues the breakdown started yesterday. It escapes even a blasphemy he is so, provocateur. Maybe you can be impressed, you can cry blasphemy, but another is not, the theater, that the representation of life (and of blasphemers daily) and Rezza his authoritative spokesman.
and appreciation to the "deer" Ivan Bellavista who took ecstasy rezziana almost forgot.
Alexander It should
7-14-21-28
Company RezzaMastrella - Theatre 91 - Foundation TPE
Directed by Antonio Rezza and Flavia Matrella
Cast: Ivan Bellavista and Antonio Rezza
the theater until January 2nd Lieutenant
(special New Year's Eve on December 31 with dinner buffet, midnight toast and blind auction)
Company RezzaMastrella - Theatre 91 - Foundation TPE
Directed by Antonio Rezza and Flavia Matrella
Cast: Ivan Bellavista and Antonio Rezza
the theater until January 2nd Lieutenant
(special New Year's Eve on December 31 with dinner buffet, midnight toast and blind auction)
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